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8 January 1836 – 25 June 1912. Most renowned painters.

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Alexander Ignatius Roche
Italian Peasant Girl

ID: 86009

Alexander Ignatius Roche Italian Peasant Girl
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Alexander Ignatius Roche Italian Peasant Girl


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Alexander Ignatius Roche

painted Italian Peasant Girl in 1861-1921  Related Paintings of Alexander Ignatius Roche :. | the interior of the teatro san carlo in naples where several of rossini s operas were fist performed | Historia Anglorum | Baptism of Christ af | the arcadian shepherds | European city landscape, street landsacpe, construction, frontstore, building and architecture. 096 |
Related Artists:
Harald Torsslow
(1838 -1909 ) - Painter
Giovanni Mansueti
Italian Early Renaissance Painter, active 1484-ca.1526, was an Italian painter. Also known as Giovanni Mansueti. Known by a few paintings. Little is known of his biography. He was active in Venice from 1485 to 1526. Pupil of Gentile Bellini and worked in the antique style in the Miracles of the Cross painted in 1494- c. 1502 for the Scuola di san Giovanni Evangelista and now in the Gallerie dell'Accademia. In style he resembles Cima da Conegliano and Vittore Carpaccio. One of his paintings resides in a church near Bagni di Luca, Italy.
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,






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